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March at BFI Southbank and BFI IMAX

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The March 2024 lineup at BFI Southbank promises a delightful culmination of Magical Realism: The Film Fables of the Taviani Brothers. Renowned for over 60 years, Paolo and Vittorio Taviani’s creations, blending Italian politics, history, and literature with cinematic invention and satirical wit, have enthralled audiences worldwide.

Curated by Adrian Wootton and presented alongside Cinecittà, this concluding retrospective showcases the Taviani brothers’ distinctive contributions to Italian cinema. It features iconic works like The Subversives (1967) and Rainbow: A Private Affair (2017), exploring their profound love for cinema and real-life conflicts that inspired their narratives.

Continuing until March 12, BFI Southbank’s tribute to the legendary film composer John Barry, Soundtracking Bond and Beyond, curated by Bob Stanley, highlights Barry’s evocative scores for spy films and social realism classics, including On Her Majesty’s Secret Service (1969) and Walkabout (1971).

BFI IMAX will exclusively showcase Dune: Part Two (Denis Villeneuve, 2024) on an IMAX 70MM print starting from March 1st. In this sequel to Denis Villeneuve’s epic adaptation of Frank Herbert’s sci-fi masterpiece, House Atreides faces its downfall. Paul, the rightful heir, seeks refuge with his mother Jessica among the Fremen of Arrakis, where a prophecy awaits fulfillment. Now, Paul must embrace the ways of the Fremen, lead them against formidable adversaries like the Harkonnen and the Emperor’s armies, and confront the perilous giant worms of Arrakis. To heighten anticipation, BFI IMAX will also screen Dune: Part One (Denis Villeneuve, 2019) on February 29th.

Exciting Events

High & Low – John Galliano (2023) provides insights into the life and career of the renowned fashion designer, while Woman with a Movie Camera celebrates International Women’s Day with captivating previews like Banel & Adama (2023) and Elaha (2023). Inside No. 9: The Final Series preview on March 11 offers reflections from the creative team, Reece Shearsmith, Steve Pemberton, and Adam Tandy, on their journey over the past decade. BFI Flare: Film Festival returns from March 13 to 24, offering the best of contemporary queer cinema globally.

TV Previews

Mandy (Diane Morgan, 2024) presents Mandy’s micro-aggressive adventures, while Doctor Who: The Celestial Toymaker (Bill Sellars/Chloe Grech, 1966/2024) debuts a new animated version of the classic.

Kinoteka Polish Film Festival premieres Green Border (Agnieszka Holland, 2023), exploring refugee experiences, while Special People (Justin Edgar, 2007) challenges stereotypes with wit and self-parody.

Special Previews

Frank Capra: Mr America (Matthew Wells, 2023) revisits the filmmaker’s timeless works, offering comfort during times of hardship.

La chimera (Alice Rohrwacher, 2023) captivates with its blend of social drama and magical realism, while Robot Dreams (Pablo Berger, 2023) enchants audiences of all ages with its joyful, dialogue-free narrative.

BFI Southbank’s monthly event, Mark Kermode Live in 3D, promises engaging discussions with industry guests on current and upcoming releases.

New and Re-releases

Evil Does Not Exist (Ryûsuke Hamaguchi, 2023) and Do Not Expect Too Much from the End of the World (Radu Jude, 2023) challenge societal norms with compelling narratives and satire.

Top 10 secrets of 100% healthy people

A review of Patrick Holford’s book of health tips
Source: Beauty News

The King who was denied the Ultimate Guinness

A. Tristian

“Wimbledon oh Wimbledon, thy pageantries are as archaic as thy soul”.

Novak Djokovic, Roger Federer, and Rafael Nadal are widely regarded as some of the greatest players in the history of tennis. These three legends have dominated men’s singles tennis for a significant portion of the time since the beginning of the Open Era in 1968. Djokovic leads with an all-time record of 23 Grand Slam titles, followed by Nadal with 22 and Federer with 20. Until 2002, Pete Sampras of the United States held the record with 14 major singles titles. This year Wimbledon in the men’s final, what at stake is Roger Federer’s eight Guinness Book of Record Wimbledon titles, in which five of them consecutive wins. On the second day of the Championships, the Swiss was invited and celebrated at the Centre Court in the presence of HRH Princess of Wales, Kate Middleton. As the defending Champion, had Djokovic won this year’s title, he too would’ve been on par. As it stands now, along with Pete Sampras he holds seven Wimbledon titles with four consecutive, followed by Bjorn Borg at five, then John McEnroe and Boris Becker each at three.

Wimbledon, which held its first event in 1877, has evolved from a garden-collective tournament to a prestigious Grand Slam event that captivates millions of people around the world. As the only major tournament played on grass, it attracts around 500,000 visitors during the two-week competition. Wimbledon continues to uphold long-standing traditions, including a strict all-white dress code for competitors, the ballot, the eating of strawberries and cream, pimms, preppy attire, and the royal patronage. In recent years, the tradition of queuing for tickets has also become popular. Winning a Grand Slam is prestigious, but winning Wimbledon elevates a player’s status to global recognition. Such important on the CV that the fast grass surface at Wimbledon often challenges players, both juniors and experienced professionals, as they strive to perform their best.

The All England Lawn Tennis Club, the organiser of Wimbledon, is renowned for its exceptional organisation of world-quality, suspenseful matches that create excitement and emotional connections. The tournament’s popularity is evident in the record-breaking viewership numbers. According to the BBC, this year’s Wimbledon witnessed a significant increase in viewership numbers, with 54.3 million streams on the BBC’s iPlayer and BBC Sport online, compared to 53.8 million in 2022. The men’s singles final between Novak Djokovic and Carlos Alcaraz achieved a peak audience of 11.3 million on BBC One, the highest since Andy Murray’s victory in 2016. The match was also streamed live 4.1 million times on BBC iPlayer and BBC Sport online, marking a 58% increase from the previous year. The women’s singles final between Marketa Vondrousova and Tunisia’s Ons Jabeur also experienced a surge in viewership, with a peak audience of 4.5 million on BBC One and 1.3 million streams on BBC iPlayer, an 85% increase from 2022. Overall, 25.6 million people watched Wimbledon on BBC TV. The tournament showcased star-studded matches in both the men’s and women’s draws, captivating fans and spectators with high-quality and entertaining tennis. The same is also true for the period of the two weeks building up to one of the first most top-ranked players into the second week both in gentlemen’s and ladies where six top seeded gents and five top seeded ladies moved on to the quarter finals. And it doesn’t stop there. As what would be considered by some as the draws of a lifetime, fans and spectators were treated with some of the most explosive and thrilling matches that produces shots, slices as well as slips and fines of the year. Rublev against Djokovic, Sinner vs Saffiulin, Alcaraz played childhood sparring partner Rune, and Medvedev vs American Eubanks. In the ladies, Vondrousova against Pegula, number one Swiatek vs Ukraine’s Svitolina, defending champion Rybakina vs Jabeur, and Keys vs number two Sabalenka. The women’s battle reached to the final of an unseeded Czech Vondrousova well-deserved win against last year’s runner-up Jabeur who also played some of her best tennis beating opponents above her rank en route to the final. A highly-unexpected result that silenced Centre Court for a split second, before the crowd broke into celebratory roar of claps, acceptance and appreciation of the finesse displays from both players. Also worth mentioning, Brits very own Neil Skupsi won the men’s double with long time partner Koolhof. Defending women’s double Strycova and Shieh get to keep their title, whilst mixed double Pavic and Kichenok won the final.

The gentlemen’s final between world’s rank 1 and rank 2 was the one that was most anticipated by purist and neutralist of the tennis world. Djokovic, having been considered the King of Grass since mid 2010, plays not only to defend the title but also to tie a record held by a single person. The fact that he won both this year’s Australia and French Open trophies not only gave him the confident boost, but a firm determination to deliver and win. He has campaigned this through his sublime performances of the highest number of unbeatable matches across all ATP players, and the tennis world agreed. Djokovic was still the favourite up until a few hours before the matches started when Watson – the Wimbledon’s AI – corrected its prediction to favour Alcaraz. Some factors affecting this would’ve been the last several matches where Alcaraz won all in straight sets whilst Djokovic delivered the last three in 4-4-3 sets consecutively. Considering these were only a few matches coming up towards the D day – high-precision predictive analytic stats would use at least 12 or 4 months data the least – the weighing or parameters used to calculate the prediction on this occasion might’ve also been considerably adjusted. Popularity level, online – offline sentiment analysis, players attitude, as well as level of audible crowd support during a player’s match, perhaps are deemed to be more crucial than ever in deciding the Champion, which to be honest, not your everyday winner.

Punters and enthusiasts alike took notes as to how this year’s Championships have slightly evolved. First the queue. This year, AELTC decided not to sell tickets online on the basis that it should be the only Slam where all tickets, aside from Debentures, can be purchased on the day. Online sales of returned ballot tickets ended a few months prior. It gives opportunity to a wider audience on the spot, and higher probability to those who may be restricted in the digital and or eCommerce savviness department. A wonderful initiative to democratise the sport that has long been perceived belonging to a certain class only. The first few-day queue bottleneck due to extra security level and minor protesting was accepted as a no big deal for the people on the ground. They cherished the tradition more than anything else. The average queuing time for the first week before getting on the ground is between 5 to 7 hours. There were some suggestions for year to come that there should be a percentage of main courts’ tickets sold online, while the opportunity of queuing can still be held. Or, instead of being handed queue cards, those queuing can use an app feature i.e. QR code to get in, and in order to cut down the amount of queuing time drastically. Some argues that tradition should certainly be cherished and upheld but the best top-rated business is one that can execute and service customers in the most efficient and effective manner, i.e UX (user experience) friendly. Balancing tradition with efficient customer service and user experience remains a topic of debate.

Second, the raucous main courts. As tennis becoming a much popular sport worldwide, gone are the days when golf-clapping is the only way to express and appreciate the world’s top tennis Gladiators in action, fight and steal each other’s points. This year, tennis fans prove that they too can be expressive in these prestigious, usually code & behaviour-restricted, well-reserved arenas as if they were watching any other sports, whilst openly if not fanatically support their favourite players. Hats off to the players on the opposite side of the cheering, it should take steely determination and a showcase of creative moves to shrug off the one-sided cheers and focus still on their games. It would be interesting to analyse this new Wimbledon’s crowd trend as it certainly creates much more thrill, excitement and buzz to the matches played. Could it be a repressed expression exploded from the somewhat six hour all torrential-proof queue? Or the queue-only mechanism brings similar type of supporters and not diverse enough to support variety of players?

The rivalry between Djokovic and Alcaraz, which now has become official, culminated last September when the latter achieved ranking number one for the first time. Since then both took turns being the highest top player in the pro tennis circle, with Djokovic dominating the most after his back-to-back Slam wins at Australia and French Opens. Came grass season in June, Alcaraz played and won the Cinch Queens club tournament establishing his no 1 position again whilst around the same time Djokovic got invites to play in the more intimate Giorgio Armani Classic at the Hurlingham private member’s Club.

Carlos Alcatraz, dubbed the boy wonder, has made fantastic progress since turning pro at the tender age of 16, making him a force to be reckoned as the most promising tennis player since the big four. He entered 2021 below top 100 but already inside the top 50 after his US Open campaign. He is known for his aggressive and fiery playing style. Although his idol growing up was fellow countryman Rafael Nadal, he and Djokovic share similar style that involves powerful baseline shots and an ability to approach the net. He admits that he copied Djokovic in order to win the Ultimate Championships prize, and let mobility and stamina decide the fate of the match instead. And it did work wonder from the third games in the second set where Djokovic was probably thinking harder of come up with a plan B to avoid fighting “himself”. He managed on the fourth set but perhaps a little too late as frustration already got the better of him towards the final deciding set. It was rather mesmerising in a surreal way to have watched how the battle unravelled. Djokovic seemed to be out of character certainly in some of the crucial moments, plus he slipped more than a few times. One would initially hope that was just a sardonic and comical way that he often does, showcasing how frail a much older player is and lo and behold, age gap does really – if not super crucially – matter in sport. And not a real fall. As a master of entertaining with jovial character, Djokovic usually thrives on the crowd’s roar when it is on his side. With majority of the Brits’ tennis fans in Centre Court blatantly cheered for the Wonder boy, while he didn’t seem (or want) to manage to brush it off or stay focus in the game. As if he knew and tried hard more to accept that this battle was not his to win, even before it finishes.

Djokovic is no Federer, we can all agree. With almost similar number of prestigious titles and match wins across four slams and end of year finals, at Wimbledon they are somewhat “seen” differently. It is almost a history repeat itself when Bjorn Borg held five titles and Sampras won his seventh, Bjorg was still considered the face of Wimbledon at that time. Perhaps Wimbledon relates more to stylish play and sophisticated technique such Federer possesses, especially for the gentlemen. In the ladies, it was proven that power and determination alone can win the Williams sisters as well Martina Navratilova with her feistiness and wit added to hold the record for 9 consecutive years. The fact that some people think watching Djokovic play is like watching computer games may draw a conclusion that his disciplined and regimented style makes him look like a robot. Or he has become too powerful that people are at odds concerning he is invincible. Plus, his non-conformist stance on Covid vaccination did affect his popularity post 2020. While the boy wonder, with his opponent’s mirror-imaging play, delivered the mission and deservingly crowned as the new champion. With the investment that backs him up and followers that jumped right away into the mainstream to adore him. On paper he should have a promising year across the other slams with the US Open next in line. Will Wimbledon still love him next year if his play is still as raw and only to copycat his opponent? Probably not. But for now, it is not the time for a robot to be as equal as human and be rewarded the ultimate Guinness book of record.

Quo Vadis, Artificial Intelligence?

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The London A.I. Summit 2023 recently concluded, marking the culmination of a splendid London Tech Week that garnered significant interest from practitioners, industries, and governments. This two-part event serves as the beginning of the UK’s endeavour to demonstrate its preparedness and capabilities as the forefront of next-generation technology. The first part of the event took place at the Queen Elizabeth II Centre, strategically located in the heart of the capital city, right next to the Parliament. This remarkable event was open to all, offering reassurance and attracting tech-savvy stakeholders and enthusiasts who have faith in the renowned British spirit of innovation and high-level diplomatic skills. And why wouldn’t they? The three-day event centred around three main themes: Growing a Thriving & Resilient UK Tech Ecosystem, Inspiring a Sustainable Future, and True Digital Transformation & Next Tech Frontiers. With prominent tech giants serving as main sponsors, influential governmental figures and corporate leaders as speakers, and carefully chosen countries as strategic partners, the level of commitment displayed was truly unparalleled. The event delivered on its promises, providing an enriching experience that showcased the potential of the UK’s tech industry.

As we stand at the edge of unleashing the potential of sentient artificial entities, this London A.I. Summit, held in conjunction with the Quantum Computing Summit, serves as a perfect platform to delve into the essence of these groundbreaking technologies. Set against the backdrop of London’s trendy Tobacco Dock, this two-day event, with a delegate fee of £2,000, offers a comprehensive exploration of the blueprints for core technologies and their rollout. The primary focus of the summit revolves around expediting humanity’s journey with Artificial Intelligence as a trusted companion while addressing the accompanying challenges and regulatory considerations. The Headliners stage is brimming with captivating insights into the trajectory of A.I., its projected impact, a reality check on the current buzz surrounding generative A.I., and the imperative need for global regulations, most likely at a general level. In essence, the summit adopts a deep-dive approach to understanding A.I., encompassing technology, infrastructure, human involvement, and regulatory frameworks.

While the Quantum Computing Summit visibly attract less number of delegates compared to its A.I. sister, it provides invaluable information on the practical applications, future steps, and forecasts for this significant ultimate emerging technology. It seamlessly combines an overview of the profound significance of next-generation technology, which is still somewhat confined within the realms of possibility, with a pragmatic approach that starts with hybrid solutions. The summit highlights the current impactful use of quantum communications in aerospace, quantum electrodynamics (qed), sensing, and material research, demonstrating its real-world relevance. In summary, these co-hosted events offer an immersive and comprehensive exploration of the forefront of technology, showcasing the potential of A.I. and quantum computing while addressing the challenges and regulations that accompany their advancement.

The Tech, AI & Quantum event taking place this week sets a clear tone that Artificial Intelligence (A.I.) must be universally embraced as the catalyst and backbone of businesses and everyday life, with even broader implications. The emergence of Augmented Reality (AR), Virtual Reality (VR), and the Metaverse has opened doors to immersive and extraordinary experiences that were once unimaginable. The current frenzy surrounding Large Language Models and their generative A.I. applications brings a new dimension to the concept of sentient intelligence. Amidst the multitude of diverse visions that still exist, finding resolutions becomes crucial in shaping an otherwise chaotic world. In this context, the most pivotal question to ask is, “Quo Vadis A.I.?”

The Greatest Shows Ever Made

“I love you, but you’re not serious people,” were Logan Roy’s final words to his children as a group.I love you, but I cannot stomach you,” is what Shiv Roy says to her brother Kendall, as she twists the knife in his back and casts one final vote that means he will never be in charge of Waystar Royco.

Succession: we love you, but you haven’t half put us through the wringer over the past five years.

Jesse Armstrong’s cringingly comedic, dynastic drama has been a televisual dark horse; an ever-growing, word-of-mouth phenomenon that has become an obsession for many. An opaque, oddly-toned curio in its very first batch of episodes that needed a little time to get used to, it reached fever-pitch with Kendall’s damning press conference in the Season 2 finale, and has continued to fly ever since. Today, as the very last episode aired, Armstrong and his team’s task of bringing this saga to a satisfying conclusion seemed impossible. Thankfully, those final 83 minutes couldn’t be any more perfect.

Despite the preceding 39 episodes, the state of play at the start of ‘With Open Eyes’ feels as unclear as ever. There have been so many double and triple-crosses, moves and countermoves, that this finale could almost have been the show’s first outing in that nobody had any clue what was next. There was no clear path; no sharply-suited winner breaking away from the pack. Somehow, Succession maintains that tension right up until the last few minutes, as the Roys continue to switch allegiances and spiral into self-destruction.

One thing that seemed unavoidable was that Shiv (Sarah Snook) was not going to get the happy ending she was hoping for. Keen watchers will have noticed that despite her confidence that Lukas Matsson (Alexander Skarsgård) would name her as his American CEO, the GoJo founder had never actually said as much. This deception underpins the entire finale, as Matsson reveals his (highly misogynistic) concerns to Tom (Matthew Macfadyen) and intention to name him instead, with the ATN head’s resume of shit-eating and self-sacrificial strategising continuing to pay off. Underestimated as ever, Greg (Nicholas Braun), who finds this out due to some nifty Swedish translating, makes the most of his leverage one last time, letting Kendall (Jeremy Strong) in on Matsson’s plan.

It’s a brilliant, miserable ending to a brilliant, miserable-in-the-best-way story.

This sets off a chain of events that give us the most strangely heartwarming scenes in Succession’s history. Kendall doesn’t keep Matsson’s plan under his hat, waiting to see his sister fail in yet another of her public humiliations – he divulges it straight away. He and Roman (Kieran Culkin) bring Shiv on side. They realise that they still, of course, have to name one of themselves as leader. Joking about murdering him, Shiv and Roman agree that it’s Kendall. They laugh, they do impressions of their mother’s unbearable new husband, Roman licks some cheese. They make a meal fit for the to-be-crowned King Kendall; Shiv spits in it. It’s a warped, dysfunctional glimpse of the kind of siblings these three people could have been, if there wasn’t such a massive media empire elephant in the room. Could this be it? Could they finally be putting on a united front? Together, crying silent tears at a final video of their father, could they be about to put the rivalry he instilled in them behind them?

The answer is: no, of course not. Succession’s board meeting final act harks back to episode 6 of the very first season, ‘Which Side Are You On?’, which saw Kendall stuck in traffic, unable to usurp his father in a vote of no confidence. That time, it was Roman who fucked him over, cowering in the face of Logan’s fury; here, it’s Shiv. There’s a reading of this decision that, in blocking Kendall’s plan, she’s saving him from becoming their father. We propose something far more simple, and far less heroic – if she couldn’t have Waystar, she didn’t want anyone else to have it either. Cue a three-way argument between her, Kendall and Roman that cuts right to the bone, and exposes all of their most fundamental flaws – Shiv can’t see anything through, Roman is a vilely immoral hothead, and Kendall believes (and has always believed) he is owed this job, simply by virtue of being “the eldest son” (which, as Shiv quickly points out, isn’t even true. Justice for Connor.).

It’s a nail-biting crescendo, that sees the once-sympathetic, social-climbing Tom Wambsgans come out on top (and his ‘Disgusting Brothers’ compadre Greg). When it comes to the Roys, nobody wins – except maybe Connor, who’s still hoping to be some kind of US ambassador in Slovenia, though even that’s looking unlikely as it’s hinted that Jeryd Mencken’s election victory is edging closer to being overturned.

Nobody wins, and it kind of had to be that way. Futile as it may be, to see any one of the siblings come out of this on top wouldn’t have felt final enough – they would still be pieces on a board, with the opportunity to pull out a surprise checkmate. This way, they’re all out, hopefully for good. Shiv is resigned to a life like her mother’s, barely clasping hands with Tom in the car, staying in a marriage because it’s, in her words, “so convenient”. Roman is battered and bruised, but free – and judging by his final wry smile, might actually be quite happy about it. Kendall is wandering, alone except for his father’s bodyman Colin a few paces behind him, staring off into a sunset he’d hoped would feel quite different.

It’s a brilliant, miserable ending to a brilliant, miserable-in-the-best-way story. Yes, this is a series mostly made up of conversations in conference rooms, business talk you don’t really understand, and characters that are objectively terrible people. But it’s also gut-punchingly emotional, impeccably performed, shot with boundary-pushing excellence, and as hilarious as it is dramatic. It is one of the best ensemble casts in television history, delivering some of the best lines ever written. It’s a tale that is the highest of stakes, all the time; both thuddingly relevant and thrillingly escapist. It is, quite simply, one of the best TV shows ever made. Succession: we love you, and we’re so, so sad to be saying goodbye.

Source : EmpireOnline

PGA Tour merger with rival LIV Golf

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In 2022, the LIV Golf rival circuit was introduced, captivating numerous renowned players from the PGA Tour, among them the esteemed Hall of Fame golfer Phil Mickelson. This momentous occasion was hailed by the PGA Commissioner as a significant milestone for the sport.

Following a tumultuous year of unprecedented disruptions in the men’s professional golfing realm, the shock announcement has been made regarding the combination of the PGA Tour and the commercial entities of the LIV Golf circuit. This agreement also encompasses the DP World Tour, widely known as the European PGA Tour. The rival circuit, which emerged in 2022, successfully enticed several prominent players from the PGA Tour, including the iconic Hall of Famer Phil Mickelson, former world number one Dustin Johnson, and the reigning PGA Championship victor Brooks Koepka.

Notably backed by the Saudi Arabia Public Investment Fund, the LIV Golf series has faced criticism, with accusations that it serves as a means for the country to improve its global reputation amid scrutiny of its human rights track record. In an official statement, Jay Monahan, the Commissioner of the PGA Tour, expressed, “After enduring two years of disruptions and distractions, this is a historic moment for the beloved game we all cherish. This transformative partnership acknowledges the indomitable strength of the PGA Tour’s history, legacy, and pro-competitive model. It unites with the DP World Tour and LIV Golf, including the captivating team golf concept, to establish an organization that will benefit golfers, commercial and charitable partners, as well as fans.”

As part of the agreement, both sides have agreed to drop all ongoing lawsuits against each other. However, the specific nature of the LIV Golf League for 2024 remains unclear. Keith Pelley, the CEO of the DP World Tour, remarked, “This is an extraordinary day. We are thrilled not only to reestablish our relationship with PIF but also to have the opportunity to expand on our current Strategic Alliance partnership with the PGA Tour.”

Initial reports about a rival league to the PGA Tour surfaced as early as 2019, but it wasn’t until late 2021 that the proposal gained significant traction. LIV Golf Investments was established, with the sovereign wealth fund of Saudi Arabia, PIF, as its majority shareholder. An antitrust lawsuit against the PGA Tour, originally filed by 11 golfers in August of the previous year, was subsequently taken over by LIV Golf and was scheduled to be heard in 2024.

This remarkable truce in the world of sports holds significance beyond the realm of golf, further solidifying Saudi wealth, status, and soft power. When LIV Golf splintered the golfing community by introducing their rebellious series last year, the PGA Tour of America expressed its moral outrage clearly. The PGA accused the Saudi sovereign wealth fund of utilizing the “sport of golf to ‘sportswash’ the Saudi government’s deplorable reputation for human rights abuses.”

Significant sums of money in signing fees and prize money successfully enticed stars such as former world number one Englishman Lee Westwood and six-time major champion Phil Mickelson, who were subsequently banned from the PGA for their defection. Now, it appears that the PGA will assist in reshaping the Saudi image through golf, as the merger announced by LIV resembles a Saudi takeover.

In April, the DP World Tour emerged victorious in its legal battle against 12 LIV players who committed “serious breaches” of the Tour’s code of conduct by participating in LIV Golf events without permission. The subsequent imposition of increased fines and suspensions prompted Lee Westwood, Sergio Garcia, Ian Poulter, and Henrik Stenson to resign their memberships and become ineligible for the Ryder Cup. With the merger decision, these players could potentially return to the fold, as both tours have pledged to establish a “fair and objective process” for players to reapply for membership after the current season concludes.

The timing of this merger decision is noteworthy, as it arrives less than a fortnight before the commencement of the men’s golf season’s third major championship, the US Open.

Katie Boulter Secures Victory in Nottingham Final

Defending champion Katie Boulter secured victory at the Rothesay Open in Nottingham, guaranteeing a British finalist at the tournament. Boulter defeated Magdalena Frech in straight sets, 6-2, 6-4, showcasing strong form throughout the match.

Raducanu vs. Boulter Semi-Final Continues Sunday
Following her victory, Boulter will now await the outcome of the semi-final between Emma Raducanu and Francesca Jones, which was halted after a thrilling first-set tie-break. Raducanu leads after winning the tie-break 15-13 in a closely contested set.

Semi-Final Resumes Sunday
The interrupted semi-final match between Raducanu and Boulter will resume on Sunday, with the winner advancing to face either Diane Parry or Karolina Pliskova in the final. Both Parry and Pliskova also have their semi-final scheduled for Sunday, ensuring a busy day of tennis at the Rothesay Open.

Tournament Impact and Additional Highlights
Men’s Challenger Event: British players Jacob Fearnley and Billy Harris advanced to the semi-finals. Fearnley will face Mattia Bellucci, while Harris progressed after Mikhail Kukushkin retired due to injury.
Jack Draper’s Success in Stuttgart: Jack Draper reached the final of the Stuttgart Open, defeating defending champion Frances Tiafoe. Draper will face Brandon Nakashima in the semi-finals, with the match scheduled to be broadcast live on Sky Sports.
Sunday’s Matches to Watch
Rothesay Open: Continuation of Raducanu vs. Boulter and Parry vs. Pliskova semi-finals, followed by the final.
Stuttgart Open: Jack Draper vs. Brandon Nakashima in the final, live on Sky Sports from 12 PM.

Raducanu Takes First Set in Epic Tie-Break
Emma Raducanu took the first set against defending champion Katie Boulter, prevailing 15-13 in a gruelling tie-break. The tight contest saw both players saving break points and ultimately decided by a tense decider.

Both players spent most of Saturday waiting to get on court due to rain delays. They finally began play just after 6:30 PM but were only able to complete one set before the match was halted due to inclement weather and fading light.

Continuation and Final on Sunday
The winner of the Raducanu-Boulter match will face either Diane Parry or Karolina Pliskova, whose semi-final is also set to take place on Sunday.

Tournament Impact
The weather disruptions mean both semi-finals and the final will be played on Sunday. Pliskova, who defeated top seed Ons Jabeur in a tough quarter-final match, and Parry, who overcame Kimberly Birrell, will also have a busy day ahead.

Additional Highlights
Billy Harris and Jacob Fearnley: In the men’s Challenger event, both British players made it through to the semi-finals. Fearnley defeated third seed Juncheng Shang, while Harris advanced after Mikhail Kukushkin retired due to injury.
Katie Boulter’s Quarter-Final Victory: Boulter defeated Magdalena Frech to ensure a British finalist in Nottingham, showcasing strong form by recovering from a break down in the second set.
Jack Draper’s Success in Stuttgart: Draper reached the final at the Stuttgart Open, beating defending champion Frances Tiafoe. Draper will face Brandon Nakashima in his seventh ATP Tour semi-final.

French Open 2024 and the prize money by round

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The total prize money for this year’s Roland Garros has gone up by 12.3 per cent from last season

There will be a new men’s champion at the French Open this year with 14-time singles winner Rafael Nadal absent from Roland Garros for the first time since 200

Nadal triumphed on the Paris clay last June to become the oldest French Open champion in history, but he has been sidelined this year by a hip injury.

Novak Djokovic, Carlos Alcaraz and Daniil Medvedev will be the top contenders to take Nadal’s title – while in the women’s singles Iga Swiatek is aiming to complete a hat-trick of French Opens as she begins the defence of her crown.

Swiatek has been handed a difficult draw, however, with Aryna Sabalenka and Elena Rybakina also among the favourites in Paris. But how much is this year’s French Open prize money? And how does it change round-by-round? Here’s everything you need to know.

According to the French Open, total prize money for this year’s Roland Garros is approximately £43m (€49.6m).

That sees an increase of 12.3 per cent from 2022.

Prize money is distributed equally between the women’s and men’s singles, as follows:

Champion – £2m (€2.3m)

Runner-up – £1m (€1.15m)

Semi-finalist – £550,000 (€630,000)

Quarter-finalist – £350,000 (€400,000)

Round 4 – £200,000 (€240,000)

Round 3 – £125,000 (€142,000)

Round 2 – £85,000 (€97,000)

Round 1 – £60,000 (€69,000)

Monday 29 May: Men’s singles, women’s singles – first round

Tuesday 30 May: Men’s singles, women’s singles – first round

Wednesday 31 May: Men’s singles, women’s singles – second round

Thursday 1 June: Men’s singles, women’s singles – second round

Friday 2 June: Men’s singles, women’s singles – third round

Saturday 3 June: Men’s singles, women’s singles – third round

Sunday 4 June: Men’s singles, women’s singles – fourth round

Monday 5 June: Men’s singles, women’s singles – fourth round

Tuesday 6 June: Men’s singles, women’s singles – quarter-finals

Wednesday 7 June: Men’s singles, women’s singles – quarter-finals

Thursday 8 June: Women’s singles – semi-finals | Mixed doubles final

Friday 9 June: Men’s singles – semi-finals

Source : The Independent